This is the interesting conflict of the album, as it struggles to sound self-confident in a foreign role, but the best parts are when the music is about to fall out from the band’s hand, because they forget about themselves. Although here, the urgency is able to sneak fractions of songs out from the engineering dungeon. Shit-fi quality supports a great hardcore record- Zonas Marginadas sounds large, as it has the ambition to meet the virtual standards that no one actually ever sets, but when it’s pursued in a manipulated environment, it always traps the music. The sound of an album is the invisible instrument of the band. But song after song, something is lacking.
They both can, and enjoy, performing this record. It’s fast, intense, frightening hardcore that flirts with tension building, epic atmosphere, and other unusual parts that vary from sheer brain hammering. Since this is all lost and found, there is no question that they rip. For context, their contemporaries were XENOFOBIA, SEDICION, M.E.L.I., ATOXXXICO, and SOLUCION MORTAL. Topping it with their singer who has the voice of a maniac leader, spitting his furious rants. MASSACRE 68 was in line with the tupa-tupa cave beat, occasionally chaotic-fast/ocassionally groovy-three-chords hardcore that was not afraid to torture some of the high strings with solos. Why does the cover have an AKTITUD 69 label stamped over probably a MASSACRE 68 logo, why did it take this long for the songs to resurface, why the name change? These questions should be answered by investigative journalism and not by dumb record reviews. AKTITUD 69 is actually MASSACRE 68 from Mexico, and these songs, despite being released in 2019, were recorded not long after the band’s great ¡No Estamos Conformes! LP (probably in 1991).
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